"Ich will genau das, was sie hatte!". Finde auf themanutdfan.com: Nach den besten Filmen () und Serien () hat der Hollywood Reporter in diesem Jahr mehr als Hollywood-Insider. Hollywood hat gewählt: Die besten Filmzitate aller Zeiten. Titanic Filmzitat. Forrest Gump Filmzitat. Regisseur. Schauspieler. Beste Filmzitate. Sprüche Zitate.
Die 56 besten Filmzitate"Ich will genau das, was sie hatte!". "Sagen sie nichts gegen Masturbation. Es ist Sex mit jemandem, den man wirklich mag.". Finde auf themanutdfan.com: Nach den besten Filmen () und Serien () hat der Hollywood Reporter in diesem Jahr mehr als Hollywood-Insider.
Beste Filmzitate Ähnliche Artikel VideoDie besten Filmzitate Part 1 Moritz EINE TOTAL, Mehr Videos Ansehen VERRÜCKTE WELT: "Wer fliegt die Maschine? Blade "Frost, ich sehe in dir nicht mehr, als einen weiteren toten Vampir. XXX2 "Kriege kommen und gehen, doch meine Soldaten bleiben! The next morning while the crew is reading letters from home, the boat is attacked by artillery fire from the jungle, and Clean is shot dead. Peter Venkman Bill Murray in "Ghostbusters - Die Geisterjäger" A few weeks later, Scarlett, who is drinking heavily, is visited by Rhett, who proposes to her Chori Chori Chupke Chupke offers to give her everything she wants. In the opening scene of that play, Martha quotes this line and then since she has apparently forgotten she asks George which of Bette Davis's films it is from. Unsere Fashion- und Bad Neighbors Stream Deutsch Streamcloud durchsuchen Instagram täglich nach den besten Posts. Next, Thompson reads the unpublished memoirs of Wall Street financier Walter Beste Historische Serien Thatcher, Kane's guardian and trustee of the mining fortune left to Kane by his mother: Thatcher first meets young Kane in at his mother's Colorado boardinghouse. Ich frage dich aber, hast du den Mut zu leben. When she revives, she sees through the window that the house has risen up inside the cyclone. SHE DONE HIM WRONG Cast: Mae West, Cary Grant, Beste Filmzitate Moore Directors: Lowell Sherman Writer: Harvey Thew John Bright Editor: Alexander Hall Cinematographer: Charles Lang Jr. Back to lists.
You want the moon? Just say the word and I'll throw a lasso around it and pull it down. That's a pretty good idea. I'll give you the moon, Mary.
Als die Mauer fällt, steigt die Populärkultur zu einer neuen gesellschaftlichen Relevanz auf. Wind of Change?
Eher ein Tsunami! Die Nineties spülen eine Flutwelle von Ohrwürmern, Kult-Movies, TV-Serien und Showstars über die immer stärker globalisie … mehr. Worin wir diese Saison auf jeden Fall investieren sollten, sind Stiefeletten mit Schlangenprint.
Fertig, aus die Maus, wir sind dann mal weg. Der Ton macht die Musik, und die Musik macht den Film. Sean Connery als James Bond in James Bond jagt Dr.
Joe E. Brown als Osgood Fielding III. Christopher Lloyd als Dr. Bill Murray als Dr. Sie holen sich ihr kleines Schwarzes und ich rasier mir die Zunge.
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See also: List of movie misquotes. American Film Institute. Additionally, only quotations from feature-length American films released before January 1, , were considered.
AFI defines a feature-length film as a motion picture of narrative format that is typically over 60 minutes in length. Retrieved December 22, No , From Russia with Love , Goldfinger , Thunderball , You Only Live Twice , On Her Majesty's Secret Service , Diamonds Are Forever , Live and Let Die , The Man with the Golden Gun , The Spy Who Loved Me , Moonraker , For Your Eyes Only , Octopussy , A View to a Kill , The Living Daylights , Licence to Kill , GoldenEye , Tomorrow Never Dies , The World Is Not Enough , Die Another Day , Casino Royale , Quantum of Solace , Skyfall , and Spectre.
Frank] Baum [who quotes the phrase in The Wonderful Wizard of Oz ] appears to be playing with the famous sentiment of John Howard Payne 's song, ' Home, Sweet Home ' [the melody of which, by Sir Henry Bishop , is played over several repetitions of the line]: 'Be it ever so humble, there's no place like home.
Baum's irony was apparently lost on the makers of the famous movie. Arthur Freed , assistant to the producer Mervyn LeRoy , was responsible for making 'There's No Place Like Home' the theme of the MGM picture He was adamant that Dorothy repeat 'There's No Place Like Home' when she clicks her heels together three times.
Hence the line in She Done Him Wrong is often misquoted as "Why don't you come up and see me sometime?
Commonly misheard as " We're gonna need a bigger boat," as for example at the Urban Dictionary. We don't need no stinking badges!
Astronaut Swigert said "Houston, we've had a problem here," then Lovell repeated "Houston, we've had a problem". In the opening scene of that play, Martha quotes this line and then since she has apparently forgotten she asks George which of Bette Davis's films it is from.
The line's first occurrence is in the stage play Sherlock Holmes , written entirely by William Gillette with Doyle's approval, for which Gilette listed Doyle as co-author.
The line is Ed McMahon 's signature introduction of Johnny Carson on The Tonight Show. Reagan's line—from earlier in the film—is "Ask 'em to go in there with all they've got, win just one for the Gipper.
Cohan, 64, Dies at Home Here". The New York Times. New York. November 6, Retrieved December 29, Baseball Hall of Fame. Editor: Conrad Buff James Cameron Richard A.
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AMERICAN FILM INSTITUTE. AFI's YEARS Back to lists. How many have you seen? DOWNLOAD PDF. GONE WITH THE WIND Cast: Thomas Mitchell, Barbara O'Neil, Vivien Leigh Directors: Victor Fleming Sam Wood George Cukor Chester Franklin James Fitzpatrick Producer: David O.
Selznick Writer: Sidney Howard Barbara Keon Lydia Schiller Connie Earl Cinematographer: Ernest Haller Lee Garmes Genre: Romance Production Company: Selznick International Pictures, Inc.
Composer: Max Steiner. In , Scarlett O'Hara, the headstrong sixteen-year-old daughter of wealthy Georgia plantation-owner Gerald O'Hara, is sick of hearing talk about going to war with the North.
She much prefers to have beaux like Brent and Stuart Tarleton talk about the next day's barbecue at Twelve Oaks, the neighboring Wilkes plantation.
He says that he will marry Melanie because they are alike, but leads Scarlett to believe that he loves her instead of Melanie. When he leaves, Scarlett angrily throws a vase and is startled to discover Rhett Butler, a notorious rogue from Charleston, who has been lying unnoticed on a couch the entire time.
She is angry at his seeming indifference to the seriousness of her feelings for Ashley and annoyed by his frank appreciation of her physical beauty.
Later, when news arrives that war has broken out between the North and the South, Scarlett is stunned to see Ashley kiss Melanie goodbye as he leaves to enlist, and in a daze accepts the impulsive proposal of Melanie's brother Charles.
Just after Ashley and Melanie marry, Scarlett and Charles marry as well, delighting Melanie, who tells Scarlett that now they will truly be sisters.
Some time later, Scarlett receives word that Charles has died of the measles, and she is forced to don widow's black clothing and refrain from going to the parties she loves.
Her understanding mother Ellen decides to let her go to Atlanta to stay with Melanie and her Aunt Pittypat, hoping that Scarlett will feel less restless there.
At an Atlanta fundraising bazaar, Scarlett is so bored watching other girls dance, that when Rhett bids for her in a dance auction, she enthusiastically leads the Virginia Reel with him, oblivious to the outrage of the shocked local matrons.
Rhett, who has become a successful blockade runner, continues to see Scarlett over the next few months and brings her presents from his European trips.
As the war rages, Melanie and Scarlett receive word that Ashley will be returning home on a Christmas leave.
Atlanta is now suffering the privation of a long siege, but the women manage to give Ashley a small Christmas feast. Before he returns to the front, Ashley tells Scarlett that the South is losing the war and asks her to stay by the pregnant Melanie.
Melanie goes into labor as Atlantans leave the city before Northern troops arrive. When Aunt Pitty leaves for Charleston, Scarlett desperately wants to go with her, but remembers her promise to Ashley, and remains with Melanie.
Because Melanie's labor is difficult and the doctor is too busy attending wounded soldiers to come to her aid, Scarlett must attend her alone.
After the baby is born, Scarlett sends her maid Prissy for Rhett, who reluctantly arrives with a frightened horse and a wagon.
Though he thinks that Scarlett is crazy when she insists upon returning to Tara, he risks his life to drive the women and the infant through the now-burning city.
Outside Atlanta, as Rhett and Scarlett see the decimated Southern army in retreat, he feels ashamed and resolves to join them for their last stand.
Scarlett is furious with him, even after he admits that he loves her and gives her a passionate kiss before leaving.
When the women finally arrive at Tara, the plantation is a shambles and the house has been looted. Scarlett's mother Ellen has just died of typhoid and her father's mind is gone.
Desperate for something to eat, Scarlett first tries drinking whiskey, then goes into the fields. After choking on a radish, she vows that if she lives through this she will never go hungry again.
After she kills a Yankee scavenger and, with Melanie's help, hides the body, the contents of his wallet provide them with some money for food.
Ashley offers no solution to her problem, but admits once again that he loves her, even though he will never leave Melanie.
More determined than ever to obtain the money after Jonas Wilkerson, a ruthless Yankee who was once Tara's overseer, says that he is going to buy Tara when it is auctioned off for taxes, Scarlett decides to ask Rhett for the money.
With no proper clothes to wear, Scarlett and her old governess, Mammy, use material from Tara's velvet drapes for a new dress.
In Atlanta, they discover that Rhett has been imprisoned by the Yankees, but has charmed his way into their good graces. Scarlett tries to pretend that everything is fine at Tara, but Rhett soon sees her roughened hands and realizes what her situation is.
Because he is under arrest and his money is all in an English bank, Rhett cannot help Scarlett, so she leaves, infuriated. That same day, she runs into Frank Kennedy, her sister Suellen's beau, and sees that he has become a successful merchant.
Scarlett tricks Frank into marrying her by telling him that Suellen loves someone else, and is thus able to use his money to save Tara.
Scarlett then moves to Atlanta to work at Frank's shop and to make his fledgling lumber business a success. She also uses an unwitting Melanie to help make Ashley come to work at the lumber mill.
One day, Scarlett is attacked by scavengers while driving her carriage near a shanty town, but is saved by Big Sam, a former Tara slave.
While Scarlett, Melanie and the other women wait at Melanie's house, Rhett arrives to warn them that the Yankees are planning an ambush.
Melanie tells him where the men have gone, and some time later, he prevents their arrest by pretending to the Yankees that they have all been drinking with him at the notorious Belle Watling's bordello.
Ashley is wounded, but Frank has died on the raid. A few weeks later, Scarlett, who is drinking heavily, is visited by Rhett, who proposes to her and offers to give her everything she wants.
Though she says that she does not love him, she agrees to marry him, and on their expensive honeymoon, he vows to spoil her to stop her nightmares of the war.
He begins to acquire respectability, and within a few years his charitable contributions and sincere devotion to Bonnie impresses even the hardest of Atlanta's matrons.
Meanwhile, Scarlett still longs for Ashley and has told Rhett that she no longer wants him to share her bedroom.
One day, Ashley's sister India and some other women see Scarlett and Ashley in an embrace. Though nothing improper happened, Scarlett is afraid to attend Melanie's birthday party for Ashley that night.
A furious Rhett forces her to attend, though, then leaves. Melanie's open affection to her makes Scarlett ashamed, and when she returns home she sneaks into the dining room to drink.
There she finds Rhett drunk and a violent quarrel erupts. Rhett then leaves for an extended trip to England and takes Bonnie with him. Some months later, because Bonnie is homesick, Rhett returns to Atlanta and discovers that Scarlett is pregnant.
She is happy to see Rhett, but his smirk of indifference and accusation about Ashley enrages her so that she starts to strike him and falls down the stairs.
She loses the baby, and although she calls to him during her delirium, Rhett does not know and thinks that she hates him. After she recovers, he suggests that the anger and hatred stop for Bonnie's sake, and Scarlett agrees, but as they are talking, the headstrong Bonnie tries to make her pony take a jump and she falls and breaks her neck.
Both are shattered by Bonnie's death, especially Rhett, who refuses to let her be buried because Bonnie was afraid of the dark.
Only Melanie, to whom Rhett has always felt a closeness, convinces him to let the child go. After her talk with Rhett, Melanie, who has become pregnant despite the danger to her health, collapses and suffers a miscarriage.
On her deathbed, Melanie asks Scarlett to take care of Ashley, but when Scarlett sees how much the distraught Ashley loves Melanie, she finally realizes how wrong she has been for years and knows that it is Rhett she truly loves.
She rushes back home and tries to prevent him from leaving her, but he will not stay because it is too late for them. THE GODFATHER Cast: Marlon Brando, Al Pacino, James Caan Directors: Francis Ford Coppola Producer: Robert Evans Albert S.
Ruddy Writer: Mario Puzo Francis Ford Coppola Editor: William Reynolds Peter Zinner Cinematographer: Gordon Willis Genre: Drama Production Company: Paramount Pictures Corp.
Composer: Nino Rota. In August , during the lavish wedding reception of his daughter Connie, Don Vito Corleone, head of a large New York crime family and "godfather" to the Italian-American community, listens to requests for favors, honoring a long-standing Sicilian tradition that a father cannot refuse a request on his daughter's wedding day.
While FBI agents jot down license plate numbers of the guests, and hundreds of celebrants dance, eat and gossip in the Corleone family's Long Beach compound, Don Vito, assisted by his foster son and consigliere, Tom Hagen, listens to a plea by the undertaker Bonasera, who seeks justice for two American boys who mercilessly beat his daughter.
After mildly chastising Bonasera for refusing his friendship in the past, Don Vito agrees to help in exchange for some future service.
Next, Don Vito greets the amiable baker Nazorine, who seeks help in preventing the deportation of Enzo, a young apprentice baker who wants to marry Nazorine's daughter.
Outside, as the family welcomes guests such as crime boss Don Emilio Barzini and Don Vito's godson, popular singer Johnny Fontane, Michael Corleone arrives at his sister's wedding with his American girl friend, Kay Adams.
Michael, college educated and a decorated soldier during World War II, relates stories about Luca Brasi, a large, violent man who is unquestioningly loyal to Don Vito, but tells her "It's my family, Kay, not me.
After slapping Johnny like a child and admonishing him to be a man instead of a "Hollywood finocchio," Don Vito comforts him and promises to help.
Just before his father-daughter dance with Connie, Don Vito talks with his son Santino, nicknamed Sonny, and Tom, telling them that Connie's new husband, Carlo Rizzi, may have a job, but should never be privy to the family's business.
Don Vito also instructs Tom to fly to Los Angeles to speak with Woltz. At Woltz's studio, when Tom politely suggests that Johnny be cast in the war film, Woltz angrily dismisses him with curses and ethnic slurs.
However, after Woltz has learned that Tom is representing the Corleone family, he invites Tom to his lavish estate and apologizes for his earlier rudeness.
When the men sit down to dinner after Woltz has shown Tom his beloved race horse, Khartoum, Tom again asks for the part to be given to Johnny, prompting Woltz to erupt in a rage, shouting that Johnny "ruined" a young starlet with whom Woltz had been having an affair, thus making him appear ridiculous.
One morning a short time later, Woltz discovers the severed, bloody head of Khartoum in his bed, prompting him to scream in terror. Sollozzo, who has the backing of the rival Tattaglia family, proposes that the Corleones finance his drug operations.
Although Tom and Sonny have argued that narcotics are the way of the future, and Sonny tries to say so in the meeting, Don Vito refuses to risk losing his political influence by embracing the drug traffic and declines Sollozzo's offer.
Later, Don Vito privately asks Luca to let it be known to the Tattaglias that Luca might be interested in leaving the Corleones.
Just before Christmas, when Luca meets with Sollozzo and one of the Tattaglias, he is caught off guard, stabbed through the hand and strangled.
That same evening, Fredo, Don Vito's meek, oldest son, tells him that their driver, Paulie Gatto, has called in sick.
Before entering his car, Don Vito decides to buy some fruit from a vendor and is shot several times by assailants who flee before Fredo can react.
Tom is kidnapped by Sollozzo that night, and later, as Michael and Kay leave the Radio City Music Hall, Kay notices a newspaper headline announcing that Don Vito has been killed.
Late that night, Tom is released by Sollozzo, who is infuriated that Don Vito has survived the attack, and warns Tom that he and Sonny must make the narcotics deal with him and the Tattaglias.
At the compound, Sonny and Tom try to insulate Michael from their discussions about the family business, knowing that Don Vito had wanted him to have a different kind of life.
While arguing over whether or not to take Sollozzo's deal, they receive a package of a dead fish, a Sicilian symbol that Luca "sleeps with the fishes.
Sonny tells Clemenza, one of his father's lieutenants, to buy mattresses and other supplies to house their men in a safe place during the war and instructs Clemenza to kill Paulie for his part in Don Vito's ambush.
A few days later, frustrated by his enforced idleness, Michael goes into New York City to have dinner with Kay.
After telling her that she should go home to New Hampshire, but not saying when they will see each other again, Michael goes to visit his father. When he finds the hospital floor deserted and Don Vito's room unguarded, Michael checks to make certain that his father is alive, then calls Sonny to relate what has happened.
After moving Don Vito's bed with the help of a nurse, Michael whispers in his ear, "Pop, I'm with you now. Michael and Enzo then wait on the steps of the hospital.
Because of their menacing appearance, when a car stops, the thugs inside see what they think are Don Vito's guards and drive off.
Just then, several police cars appear, and the abusive Capt. McCluskey starts yelling at Michael for interfering, then brutally punches him in the face before Sonny, Tom and their men arrive.
The next day, Sonny argues that they must hit back at Sollozzo, even though the corrupt McCluskey is his protector.
Because Sollozzo is now asking for a meeting with Michael, who is regarded as a "civilian," Michael volunteers to kill both Sollozzo and McCluskey.
A bemused Sonny does not want Michael involved, and Tom argues that this is business, not personal, but Michael insists that to him it is business.
When Sonny learns from a police informant that the meeting will be held at Louis, an Italian restaurant in the Bronx, Clemenza arranges for a gun to be planted in the men's room, then teaches Michael how to kill at close range.
At the restaurant, Sollozzo offers a truce to Michael if the family agrees to his terms. After excusing himself to go to the men's room, Michael retrieves the gun from behind the toilet, walks to the table and shoots both McCluskey and Sollozzo in the head, then coolly walks out to a waiting car.
To avoid being the victim of a revenge killing by the Tattaglias, Michael is forced to leave for Sicily for an extended period without saying goodbye to Kay.
When Don Vito, who is now recuperating at home, hears that Michael killed Sollozzo and McCluskey, he weeps over Michael's involvement.
While Michael is in Sicily, a wave of violence envelopes the Corleones, the Tattaglias and the other members of the five New York crime families.
At the same time, Michael falls in love at first sight with a beautiful Sicilian girl, Apollonia, and soon marries her.
Some time later, when a pregnant Connie hysterically calls home and tells Sonny that Carlo has beaten her, Sonny, who had previously warned Carlo never again to hit his sister, impulsively races away from the compound without waiting for his bodyguards.
When he stops to pay a toll on the deserted highway, he is ambushed by several henchmen who riddle his body with bullets before speeding away.
As they are about to leave, Apollonia decides to surprise Michael by driving his car. Moments after Michael sees one of his bodyguards, Fabrizio, suspiciously run away, Apollonia dies when the car explodes.
In New York, Don Vito has called a meeting of representatives of the five crime families of New York and New Jersey, asking for peace.
After arguments on both sides, the families reach a peace accord and agree to enter the narcotics trade. As they are driving home from the meeting, Don Vito tells Tom he finally realized at the meeting that Barzini has always been behind the Tattaglias and was responsible for everything.
Some time later, Michael goes to New Hampshire, where Kay has been teaching. Although he has been home for more than a year and not contacted her, he tells her that he loves her and asks her to marry him.
She is reluctant, and does not understand why Michael now works for his father, but agrees because of her feelings for him and because he assures her that within five years, the Corleone family business will be completely legitimate.
Soon Michael becomes the tacit head of the family as Don Vito semi-retires. When Greene angrily refuses to sell his interest in the casino, Fredo sides with Greene, prompting Michael to warn him never again to side with someone outside the family.
One afternoon, Don Vito warns Michael about Barzini and predicts that the person who suggests a meeting with Barzini will be a traitor setting Michael up to be killed.
Tom is surprised that Sal, rather than Clemenza, is the traitor, but Michael realizes that, for an ambitious man like Sal, it is the smart move.
While the baptismal ceremony takes place, Barzini, Tattaglia and several other Corleone enemies are gunned down in New York and Greene is killed in Las Vegas.
At the compound, Tom confronts Sal, who says to tell Michael that it was only business, and resigns himself to his fate. That afternoon, Michael confronts Carlo, promising him leniency if he will just confess that he set Sonny up to be murdered.
Though terrified, Carlo believes Michael and reveals that Barzini was behind it. Moments later, thinking that he will be driven to the airport, Carlo enters a car and is strangled from behind by Clemenza.
Kay tries to calm her down, but when she and Michael are alone, she asks if it is true. I coulda had class. I coulda been a contender.
I could've been somebody, instead of a bum, which is what I am. Cobb Directors: Elia Kazan Producer: Sam Spiegel Writer: Budd Schulberg Editor: Gene Milford Cinematographer: Boris Kaufman Genre: Drama Production Company: Horizon-American Pictures, Inc..
Composer: Leonard Bernstein. At the request of mob boss Johnny Friendly, longshoreman Terry Malloy, a former boxer, lures fellow dock worker Joey Doyle to the roof of his tenement building, purportedly to discuss their shared hobby of pigeon racing.
Meanwhile, Terry is approached by Crime Commission representative Eddy Glover, but refuses to discuss Joey. Edie then comes down to the docks to apologize to Father Barry, but he admits that her accusation has prompted him to become more involved in the lives of the longshoremen.
As the men disperse for work, Father Barry asks some of them to meet later downstairs in the church, despite being advised that Friendly does not approve of union meetings.
Later, in the warehouse, Charley asks Terry to sit in on the church meeting. Several men bristle in anger upon seeing Terry at the meeting, and Kayo tells Father Barry that no one will talk out of fear that Friendly will find out.
Father Barry insists the men can fight Friendly and the mob through the courts, but the men refuse to participate.
After Pop and Kayo are attacked outside, Father Barry presses Kayo to take action and Kayo agrees. Terry insists on walking Edie home and, on the way, she hesitatingly tells him abut her convent upbringing and ambition to teach.
At home, Pop scolds Edie for walking with Terry, whom he calls a bum, and demands that she return to college.
Edie responds that she must stay to find out who killed Joey. Terry shows her his own prize bird, then asks her if she would like to have a beer with him.
At the bar, Terry tells Edie that he and Charley were placed in an orphanage after their father died, but they eventually ran away.
He took up boxing and Friendly bought a percentage of him, but his career faded. Swept up among wedding party revelers at the bar, Edie and Terry dance together until they are interrupted by Glover, who serves Terry with a subpoena to the Crime Commission hearings.
That evening, Friendly visits Terry, who is evasive about the church meeting, then surprised when Friendly reveals that Kayo testified before the commission.
Charley criticizes Terry for seeing Edie, and Friendly orders Terry back to working in the ship hold. Big Mac and one of his henchmen rig a crane to slip, and a load of boxes crashes down upon Kayo, killing him in front of Terry.
Outraged, Father Barry gives an impromptu eulogy for Kayo, asserting that Kayo was killed to prevent him from testifying further.
Terry furiously knocks out one of the henchmen, angering Friendly and Charley. The next morning Terry seeks out Father Barry to ask for guidance as he believes he is falling in love with Edie, but is conflicted about testifying and about going against Charley.
Father Barry maintains that Terry must follow his conscience and challenges him to be honest with Edie.
Later while tending his pigeons on the roof, Terry is visited by Glover and implies that he might be willing to testify. Their meeting is reported to Friendly, who orders Charley to straighten Terry out.
That night, Charley takes Terry on a cab drive and chides him for not telling him about the subpoena. When Terry attempts to explain his confusion, Charley brusquely threatens him with a gun.
Hurt, Terry reproaches his older brother for not looking after him and allowing him to become a failure and a bum by involving him with the mob.
Charley gives Terry the gun and says he will stall Friendly. Terry goes to see Edie, and breaks down her apartment door when she refuses to let him in and demands to know if she cares for him.
Edie tells Terry to listen to his conscience, which angers him, but the two embrace. When Terry is summoned to the street, Edie begs him not to go, then follows him.
Armed, Terry hunts for Friendly at his regular bar, but Father Barry convinces him that the best way to ruin Friendly is in court and Terry throws away the gun.
Back at home, Terry is scorned by the neighbors for testifying and discovers that his pigeons have been killed by a boy he once coached.
Edie attempts to comfort Terry, advising him to leave, but Terry insists that he has the right to stay in his town. The next day Terry reports to work as usual, but is ignored by the men and refused work by Big Mac.
In his office at the pier, Friendly, who is about to be indicted, swears vengeance on Terry. Terry confronts Friendly on the pier, declaring he is nothing without guns, and the two fall into a brutal fistfight.
Friendly orders the longshoremen to begin unloading, but the men refuse and demand that Terry be allowed to work, hoping the shipping owners will witness their refusal to obey Friendly and realize their intention to restart a clean union.
Polieren, linke Hand. Auftragen, polieren". Sie läuft ihm nach, klammert sich an ihn. Sie bettelt und fleht, wimmert und weint, beteuert ihre Liebe wieder und wieder - nichts hilft.
Der Mann mit dem breiten Südstaaten-Akzent lässt sich nicht beirren. Die Treppe hinunter marschiert er zur Tür. Sie stürzt ihm hinterher, ein letzter, verzweifelter Versuch: "Rhett", schluchzt die Frau steinerweichend, "wenn du gehst, wohin soll ich gehen?
Was soll ich tun? Der Held verschwindet im Nebel. Scarlett O'Hara bleibt allein zurück. Oder einen anderen Filmgeschmack. Denn ein grandioser Filmsatz muss nicht zwingend auf die Tränendrüse drücken.
Eine gute Dialogzeile kann alles. Sie kann den Zuschauer heftiger in den Kinosessel pressen als der teuerste Spezialeffekt, ist manchmal brutaler als die blutigste Leinwandschlacht.
Und sie kann mehr Schönheit entfalten, als die umwerfendste Hollywood-Diva. Gibt es ein schöneres Filmsouvenir als einen kernigen Spruch wie "Das ist Sparta"?
Noch wenn der Abspann vorbei, der Kinosessel längst verwaist und man selbst schon wieder auf dem Weg nach Hause ist, begleitet einen so ein Satz - und dient manchmal noch über Wochen als prima Entgegnung in allen möglichen Gesprächssituationen:.
Das ist echt nervig. Dann gibt es natürlich noch die nachdenklich stimmenden mantrahaften Sinnsprüche wie "Alles was du besitzt, besitzt irgendwann dich".
Oder irrsinnig komische Zeilen wie "Rosen sind rot, Veilchen sind blau, ich bin schizophren und das bin ich auch". Manchmal bekommt man sogar noch mehr.
Einige Drehbuchautoren schenken dem Zuschauer gleich ganze Monologe, die randvoll sind mit Gefühl und Weisheit. Ein ganz besonderes Kaliber sind auch die letzten Sätze.
Am Ende mancher Filme künden sie davon, dass es doch noch irgendwie weitergeht. Nun hat einestages die besten Zitate der Filmgeschichte gekürt - hier finden Sie die ersten Und wenn Ihnen das nicht reicht, hier geht es weiter zu Teil 2.
Natürlich schreit auch diese Liste nach einer Fortsetzung. Bestimmt kennen auch Sie Massen von Filmsprüchen auf die wir nicht im Traum gekommen wären.
Fühlen sie sich also frei, unsere Auswahl zu kommentieren, ein besseres Zitat aus einem bereits gewürdigten Film oder Ihre liebsten Sprüche aus anderen Filmen beizusteuern.
Der Pate: "Ich mache ihm ein Angebot, das er nicht ablehnen kann. Zucker und Zahnpasta: "Mir ist egal wie reich er ist. Hauptsache, er hat seine eigene Yacht, seinen privaten Eisenbahnwagen - und seine eigene Zahnpasta.
Kampftraining: "Auftragen, rechte Hand. Auftragen, polieren. Einatmen durch Nase, ausatmen durch Mund. Wax off, left hand. Wax on, wax off. Breathe in through nose, out the mouth.
Kesuke Miyagi Pat Morita in "Karate Kid" Brigitte Bardot: "Film ist was Wunderbares. Du siehst Frauen über Frauen, alle bekleidet.
Paul Javal Michel Piccoli in "Die Verachtung" Geister: "Ich sehe tote Menschen. Ich liebe dich dafür, dass du anderthalb Stunden brauchst, um ein Sandwich zu bestellen.
Ich liebe dich dafür, dass du eine Falte über der Nase kriegst, wenn du mich so ansiehst. Ich liebe dich dafür, dass ich nach einem Tag mit dir dein Parfum immer noch an meinen Sachen riechen kann.
Und ich liebe dich auch dafür, dass du der letzte Mensch bist, mit dem ich reden will, bevor ich abends einschlafe.